The Spectroscope shows a graphical representation of the frequency spectrum, analyzed into 60 separate frequency bands, represented as vertical bars. In the Phasescope Settings dialog, you can adjust the behavior, scale, and color of the meters. The Phasescope indicates the phase and amplitude relationship between two stereo channels. The Loudness Meter is an audio meter for monitoring loudness, according to the EBU R-128 standard. The Level Meter displays the peak and average loudness/decibel levels of your audio file, and the balance between the left and right channels in a stereo file. By assigning presets to preset buttons, you can quickly switch between different level scales and display modes, for example. You can save the settings that you have made for a meter window as a preset. You can reset the display of some meters, for example, the Level Meter. The audio montage supports various surround channel configurations using up to 8 channels. WaveLab Pro features 8 audio channels that can be routed to inputs and outputs on a multi i/o audio card. For example, you can adjust the behavior, scale, and color of the meters. You can set up most meters in the corresponding settings dialogs. You can choose which audio source to monitor and select a mode for displaying information in the meters. Metering can be used to measure audio in real time, that is, while the audio is being played back, or in non-real-time, that is, in stop mode. Furthermore, you can use them to analyze audio sections when playback is stopped. Meters can be used to monitor audio during playback, rendering, and recording. WaveLab Pro contains a variety of audio meters that you can use for monitoring and analyzing audio. Markers are useful for editing and playback. Markers allow you to save and name specific positions in a file. This is where you adjust the master levels, add effects, resample, and apply dithering. The Master Section is the final block in the signal path before the audio is sent to the audio hardware, to an audio file, or to the audio meters. You can record audio in the Audio Editor and in the Audio Montage window. The audio montage is a multichannel and multitrack non-destructive editing environment that allows you to arrange, edit, play back, and record audio clips. Offline processes are useful for a variety of editing purposes and creative effects, for example, if the computer is too slow for real-time processing or if the editing requires more than one pass. The detection and correction methods allow you to detect, mark and name, jump to, play back, and remove individual audio errors. You can search for unwanted clicks and digital artifacts in an audio file. WaveLab Pro provides you with a comprehensive set of tools for analyzing your audio and for detecting any errors. This chapter describes the methods for controlling playback and transport functions.Īudio file editing refers to opening, editing, and saving audio files. For example, save file settings that you regularly use as templates, rename files using naming schemes, or create a favorite files lists. In WaveLab Pro, you can handle files in various ways. Each environment contains functions that are tailored to the specific purpose of each file type. The Workspace window provides an editing and playback environment for each particular file type. Getting accustomed with these procedures allows you to work more effectively with the program. This chapter describes general concepts that you will use when working with WaveLab Pro. Welcome not only to the number one choice for mastering professionals, but also to a community of users who are true masters of their craft.īefore you start working, you need to make some settings. Thank you for purchasing WaveLab Pro and embracing the true art of mastering. The following list informs you about the most important improvements in WaveLab Pro and provides links to the corresponding descriptions.
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